Kazoku Budokan
TERMINOLOGY
A B C D E F G H I J K M N O P Q R S T U W Y Z |
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A
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abara |
Ribs |
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age |
Rising |
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age geri |
Rising kick. |
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age tsuki |
Rising punch,
(age zuki). |
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age uke |
Rising block.
Also known as a high or upper block. |
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age uchi |
Rising
strike. |
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ago |
Jaw or chin |
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ai |
Combine,
unite, join, gather, harmony. |
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aiki |
Harmony
meeting. When one combines an opponent’s energy with their own for control. |
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aikido |
Literally,
Meeting spirit way. A Martial Art developed by Uyeshiba Morihei in the
1930's. Based on Aikijutsu. |
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anata wa |
You (Anata = you, Wa marks the subject of the
sentence) |
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antei |
Balance,
stability, or equilibrium. |
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anza |
Relaxed
sitting, cross legged. |
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arigato |
Thank you |
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arigato
gozaimasta |
Thank you very
much |
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ase |
Perspiration,
sweat. |
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ashi |
Leg, foot. |
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ashi barai |
Foot sweep. |
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ashi gatame |
Leg lock. |
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ashi kubi |
Ankle |
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ashi no ura |
Sole of the
foot. |
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ashi no yubi |
Toe |
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ashi sabaki |
Footwork or
foot movement. |
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ashi waza |
Foot
techniques. |
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ashi guruma |
Leg wheel
throw. |
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atama |
Head, top of
the head |
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atama tsuku |
Head butt |
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ate |
To smash, to
strike with the hand. |
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ate waza |
Methods or
techniques of striking with the hand. |
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atemi |
To strike
vital points of the body |
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atemi waza |
Methods or
techniques of striking vital points of the body |
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ayumi dachi |
A natural walking
stance with the weight over the center. |
BACK TO INDEX
B
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bajutsu |
Japanese art of
horsemanship. Also known as Jobajutsu. |
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ben |
Study and
understanding. |
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bo |
Long staff, typically 6' in length and solid
hardwood, also rattan and lighter material, sometimes tapered at the ends for
more acute thrusting surfaces. A traditional Okinawan Kobudo
weapon. |
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bogu |
Protective
equipment of nonmetallic materials used in several styles of Japanese Karate,
primarily for competitive sparring. |
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bojutsu |
An armed defense system centering around
the use of the bo. It was developed from Japanese lance and spear. |
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bokken |
Literally:
Wooden sword; A wooden sword used by the Japanese feudal warrior as a
practice weapon. The Bokken went on to become an effective battlefield
weapon. See bokto. |
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boku |
Tree, wood,
lumber, wooden. |
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bokuto |
Wooden
sword. See bokken. |
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bu |
Military or
warrior, having to do with war. A concept denoting the entire military
dimension of feudal Japan. |
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budo |
Military way
or way of fighting. A generic term encompassing all of the Japanese Martial
Arts. |
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bujutsu |
Military arts.
A collective term for all the Japanese Arts practiced by the Samurai. |
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bunkai |
Analysis. The
detailed study of Martial Arts techniques.
Application of techniques in kata. |
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bushi |
Military
person, warrior, or Samurai. A term for the Japanese warrior which was
changed to Samurai in the 15th century. |
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bushido |
A strict code
of ethical behavior followed by the Samurai, an enlightened path of
self-mastery and honor.. Bushido was formulated during the Tokugawa Era (1603
- 1868) of Japan |
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cha chuan |
A northern
Chinese form of Kung Fu developed from 14th to 17th century in the west and
south of China. In this system, practitioners fight from long range using
high, long leaps to close the gap. |
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chakuza |
Sit down. |
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chi |
Chinese,
internal energy. Sometimes spelled Ch'i. In Japanese it is Ki. |
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chi gung |
Cantonese,
The practice and cultivation of Chi. A meditative and internal form of
exercise common to many Chinese Martial Arts. Sometimes spelled Qi Qong, Qi
Gong, Chi Kung. See Chi. |
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chikara |
Strength |
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cho |
Long, length,
excel in, leader, master, chief. |
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cho wa |
In the Japanese
Martial Arts, the harmonious mental and physical reaction while at practice. |
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choku tsuki |
Straight
punch. Also spelled choku zuki |
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chu |
Central,
center, middle. |
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chuan fa |
The major
Chinese precursor of Karate. Most forms of 20th century Chuan Fa are said to
be descendants of Ch'ueh Yuan's "170 hand and foot positions." |
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chudan |
Middle level.
(chuudan) |
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chudan tsuki |
Middle level
punch, (chudan zuki). |
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chudan geri |
Middle level
kick. |
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chudan uchi |
Middle level
strike |
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chudan uke |
Middle level
block. |
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chudan-no-kamae |
Middle posture. |
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chugaeri |
Forward
sumersault. |
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chugyo |
A Japanese
term used to describe the principle of devotion and loyalty. |
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chushin |
Center, core. |
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chusoku |
Ball of the
foot. |
BACK TO INDEX
D
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dachi |
Stance, see taichi |
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dai |
Literally: Faithful service to that which is
older. In karate used as a suffix to
denote a revised version of a kata. |
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dan |
Level |
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dan tsuki |
Consecutive
punches. (dan zuki) |
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de ashi harai |
Advancing foot
sweep. |
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deshi |
Pupil, disciple,
apprentice, teacher's student-helper. |
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do |
The way
of...way or path. When this term is used as a suffix to a particular style of
the Japanese Martial Arts, it is indicative of more than just a means of
combat. Do indicates a discipline and philosophy with moral and spiritual
connotations. |
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do
itashimashite |
You are
welcome. |
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dogi |
Japanese term
for a Martial Arts uniform. |
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dojo |
Practice
Hall, literally "Place of Learning the Way" |
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dojo-kun |
Rules for
conduct in a dojo. |
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dokyo |
Teaching of
the way. |
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domo |
Thank you. |
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domo arigato
gozaimashita |
Thank you
very much. |
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doryoku |
Giving one's
best effort to reach one's goal. |
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doshu |
Master or
master of the way. |
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E
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eku |
Oar, scull,
paddle, row, Okinawan kobudo weapon. (eiku, ueku, kai, kai bo). |
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embusen |
Floor pattern
of a given kata. |
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empi |
Elbow also
known as hiji. |
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eri |
Lapel,
collar. |
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F
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fudo dachi |
Rooted stance. |
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fudo-shin |
Immovable
mind. |
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fumikomi |
Stepping into,
breaking or rushing into |
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fumikomi geri |
Stamp kick. |
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fumikomi tsuki |
Punch, stepping
in. (fumikomi zuki) |
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fumikomi uchi |
Strike,
stepping in. |
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fumikomi uke |
Block, stepping
in. |
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furimi |
Dodging
techniques. |
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G
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gaeshi |
Turning, turn
away, twist. |
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gankaku dachi |
Crane stance,
sometimes referred to as tsuru ashi dachi and sagi ashi dachi. |
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gasshuku |
A special
training camp |
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gatame |
Locking or
holding. |
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gedan |
Low level.
Lower section. |
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gedan barai |
Low section
parry or block. |
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gedan geri |
Low level kick |
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gedan tsuki |
Punch to the
low section of opponents body. (gedan zuki) |
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gedan uke |
Low level or
downward block. |
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gedan-no-kamae |
Low posture. |
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genki |
With energy. |
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geri |
Kick, used as
a suffix when describing a particular kick.
See kiri. |
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gi |
Uniform. |
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go |
Five, hard. |
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go no sen |
The tactic
where one allows the opponent to attack first so to open up targets for
counteracttack. |
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godan |
Fifth degree
black belt. |
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gokyu |
Fifth kyu. |
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gomen |
Pardon me,
excuse me. |
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gomennasai |
"I am
sorry", "Pardon me". |
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goshi |
Hip, used as
a suffix when describing a technique involving the hip. Example O-goshi,
major hip throw. See koshi. |
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goshin |
Self defence,
self-protection. |
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goshin waza |
Self defense
techniques. |
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Gung Fu |
The Cantonese
pronunciation of Kung Fu. |
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gyaku |
Reverse or
opposite, opposing. |
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gyaku ashi |
Reverse foot. |
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gyaku tsuki |
Reverse punch,
(gyaku zuki). |
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gyaku-juji-jime |
Reverse cross
strangle or choke. |
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H
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hachi |
Eight, 8. |
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hachidan |
Eighth degree
black belt. |
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hachiji dachi |
A natural
stance, feet positioned about one shoulder width apart, with feet pointed
slightly outward. |
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hachimaki |
Head
wrapping. A light cotton towel, also known as a Tengui, wrapped around the
forehead to restrict perspiration from running into the eyes and face. |
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hadaka-jime |
Naked strangle
or choke. |
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hai |
Yes. |
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haishu |
Backhand. |
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haishu uchi |
Backhand
strike. |
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haishu uke |
Backhand block. |
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haito |
Ridge hand. |
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haito uchi |
Ridge hand
strike. |
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haito uke |
Ridge hand
block |
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hakims |
Begin. |
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hakims |
Divided
skirt. The skirt-like trousers or culottes primarily worn in Kendo, Aikido,
Aikido, and sometimes the upper ranks of Judo. |
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hand |
Half. ˝ of an object. |
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henna |
Nose |
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hone-goshi |
Spring hip
throw. |
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hane-maki-komi |
Spring
wrap-around throw. |
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hangetsu dachi |
Half-moon
stance. |
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hanpuku geiko |
Repeated
training; repetition. |
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hanshi |
Master. A
respected master of Martial disciplines. |
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hantai |
Opposite,
other site, other direction. |
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hanuchiken |
Extended
knuckles. |
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hanzenkutsu-dachi |
Half forward
stance. |
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hara |
Stomach, belly,
abdomen. |
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harai |
Sweep"
or "sweeping. |
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harai waza |
Sweeping
techniques. |
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harai-goshi |
Sweeping hip
throw. |
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harai-tsuri-komi-ashi |
Lifting pulling
foot sweep. |
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hasami tsuki |
Scissors
punch, (hasami zuki). |
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hea |
Hair |
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hebi te |
Snake hand |
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heiko dachi |
A natural
parallel stance. Feet positioned about one shoulder width apart, with feet
pointed straight forward. |
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heisoku dachi |
Attention
stance. Feet are together and pointed straight forward. |
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henka |
Change,
variation, alteration. |
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hidari |
Left. |
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hiji |
Elbow, also
known as empi. |
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hiji uchi |
Elbow
strike. |
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hiji uke |
A blocking
action using the elbow. |
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hiji-dori |
Elbow grab. |
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hiki |
To pull, draw
out, attract, to stretch. (-biki) |
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hiki-komi-gaeshi |
Throw,
pulling-in reversal. |
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hiki-te |
The retracting
(pulling and twisting) arm during a technique. It gives the balance of power
to the forward moving technique. It can also be used as a pulling technique
after a grab, or a strike backward with the elbow. |
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hiraken |
Fore-knuckle
fist. See hanuchiken. |
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hiragana |
A Japanese
writing system. |
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hiza |
Knee. |
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hiza geri |
Literally: knee
kick., striking with the knee. |
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hiza uke |
A blocking
action using the knee. |
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hizagashira |
Kneecap. |
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hiza-guruma |
Knee wheel
throw. |
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hombu |
Headquarters.
This term can be used to define any headquarters for a Martial Arts school or
group. |
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honken |
Thumb side of
fist. |
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I
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ibuki |
Breath control.
Isotonic breathing exercises based on dynamic tension principles practiced in
conjunction with, and also separate to, the execution of Karate techniques. |
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ichi |
One |
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ikkyu |
First kyu,
highest student grade below black belt. |
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ippon |
One point. |
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ippon ken |
One knuckle
fist. |
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ippon kumite |
One step
sparring. |
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ippon nukite |
A stabbing
action using the extended index finger. |
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ippon seoi
nage |
One arm
shoulder throw. |
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J
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jikan |
Time |
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jiyu ippon
kumite |
One step free
sparring. The participants can attack with any technique whenever ready. |
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jiyu-kumite |
Free-style
sparring. |
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jiyu-waza |
Free-style
practice of techniques. |
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jo |
Wooden staff
about 4'-5' in length. The jo originated as a walking stick. |
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jodan |
High level
(joudan the “u” extends the o sound) |
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jodan age uke |
High level
rising block. |
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jodan tsuki |
High level
punch, (jodan zuki). |
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jodan geri |
High level
kick. |
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jodan uke |
High level
block. |
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jodan-no-kamae |
High posture. |
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Jodo |
Martial art
based on the use of a jo staff. |
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ju |
Ten |
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ju |
Soft, gentle,
pliant. |
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Judan |
Tenth degree
black belt. |
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Judo |
The gentle
way, a Japanese martial art, founded by Jigoro Kano |
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Judoka |
Judo
practitioner |
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Juji |
Cross. (juuji) |
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juji nage |
Crossed arm
throw. |
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juji uke |
Cross Block
or "x" block. |
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juji-gatame |
Cross armlock,
several variations. |
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juji-nage |
Crossed arm
throw. |
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Ju-jitsu |
Gentle art.
(also Jiu-jitsu) |
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junte |
Normal,
natural hand position. |
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fushi |
Knuckle |
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jutsu |
Art. A term
linking a fighting method with the Bugei, or martial disciplines of war,
rather than with the sporting or aesthetic practices of modern Japan. |
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K
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kai |
Society,
organization. |
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kaicho |
Director,
president or leader of an organization. |
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kaisho |
Open hand. |
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kakato |
Heel of the
foot. |
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kakato geri |
Heel kick. |
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kakato otoshi
geri |
Axe kick. |
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kake |
Hang, suspend,
hook. (-gake, kage, kagi) |
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kake geri |
Hooking kick. |
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kake tsuki |
Hooking punch,
(kake zuki) |
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kake uchi |
Hooking
strike. |
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kake uke |
Hooking block. |
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kakiwaki uke |
Wedge block. |
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kakushi waza |
Hidden
techniques. |
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kama |
A small
handheld sickle, often used in pairs, traditional Okinawan Kobudo weapons. |
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kama yari |
A spear to
which a single-edged, sickle-shaped blade is attached. |
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kamae |
Posture,
sometimes spelled gamae. |
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kami shiho
gatame |
From Judo,
north-south position hold down; four quarter hold down. |
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kamiza |
Divine seat
or upper seat. The area at the front of the Dojo where the instructors and
honored guests sit. Place of honor. |
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kancho |
Head of a
Martial Arts system. |
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kanji |
Chinese
writing characters. |
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kansetsu |
Bone joint |
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kansetsu waza |
Joint
locking and joint attacking
techniques. |
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karada |
Body. (tai) |
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karate |
Empty hand;
Chinese hand; predominant system of empty-handed Martial Arts. |
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karate-do |
The Way of
Karate. This implies not only the physical aspect of Karate, but also the
mental and social aspects of Karate. |
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karateka |
One who
practices Karate. |
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kata |
Forms; Japanese
term describing traditional method of passing on information and training
methods using a series of prescribed motions and techniques in a prearranged
order. |
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Karate Kata |
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Anaku |
Meaning; Small bird form.
The creator and origin are unknown.
Also known as Ananku. |
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Buto 1 |
Meaning; unknown. The
creator is unknown. Possibly of
Hawaiian Kenpo origin. |
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Chinte |
Meaning; Strange hands.
The creator is unknown. Also
known as Shoin |
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Chinto |
Meaning; Crane on a rock. Creator unknown. A very old kata practiced by Matsumura
sensei and revised by Itosu sensei.
Also known as Gankaku |
|
|
|
|
Dan Enn Sho |
Meaning; Cutting and clawing.
The creator is unknown. This
kata is of Chinese origin derived from the teachings of Li Tsun I of the Hopi
school. |
|
|
|
|
Gekisai |
Meaning; Destroy and demolish.
Created by Chojun Miyagi in 1940.
There are two kata in this name group, -ichi and –ni. |
|
|
|
|
Go Uke |
Meaning; Five blocks.
Created by Verne Gilbert in 2001.
Taught exclusively at the Kazoku Budokan dojo at 7th kyu,
(yellow belt). |
|
|
|
|
Gopeisho |
Meaning; Attacking peacock.
The creator is unknown. This
kata is of Chinese origin derived from the teachings of Li Tsun I of the Hopi
school. |
|
|
|
|
Jion |
Meaning; Buddhist monk.
Of Chinese origin it is thought that this kata is named after the Buddhist Jion temple
where monks practiced martial arts. |
|
|
|
|
Jiin |
Meaning; Temple Grounds.
Of Chinese origin. Possibly
related to the kata Jion. |
|
|
|
|
Jitte |
Meaning; Ten Hands. The
creator is unknown. Thought to have
been designed to defend against a bo staff attack. |
|
|
|
|
Karumpha |
Meaning; unknown. The
creator is unknown. Possibly of
Hawaiian Kenpo origin. |
|
|
|
|
Karumpha Dai |
Meaning; Unknown.
Created by Verne Gilbert in 2001.
Taught exclusively at the Kazoku Budokan dojo at 2nd kyu,
(brown belt). Also spelled Karumfa
Dai |
|
|
|
|
Kururunfa |
Meaning; Hold
position and suddently break and destroy.
The creator is unknown. Of
Chinese origin. |
|
|
|
|
Kushanku |
Meaqning; Looking into the
sky. Author unknown. It is believed to be based on the
teachings of the 18th century Chinese instructor Kung Hsiang
Chun. Also known as Kanku. There are two versions of this kata. The orginal -dai and -sho as created by Anko
Itosu |
|
|
|
|
Naihanchi |
Meaning; Iron horse. It
is believed by some that Anko Itosu created this series of 3 kata from a much
older and longer kata known as Naifunchin.
Funakoshi sensei renamed this series Tekki. |
|
|
|
|
Nan Dan Sho |
Meaning; 24 Steps. The
creator is unknown. Of Chinese
origin. Alson known as Niseishi
and Nijushiho. |
|
|
|
|
Omoto Ten No Kata |
Meaning; The kata of the universe. Created by Yoshitaka Funakoshi in 1941. |
|
|
|
|
Passai |
Meaning; To storm a castle.
There are any versions of this kata.
The original is thought to have been created by Oyadomari
Peichin. Also known as Bassai the sho
and dai versions. |
|
|
|
|
Pinan |
Meaning; Peaceful
mind. Created by Anko Itosu between
1902 and 1907. There are five kata in
this name group. Itosu sensei may
have derived these five kata from the much longer kata Kushanku (Kanku). Funakoshi sensei renamed these kata Heian. |
|
|
|
|
Rohai |
Meaning; Vision of a crane.
The original kata was created by Kosaku Matsumora of Tomari-te. Later Anko Itosu created three additional
kata based on the original. |
|
|
|
|
Saifa |
Meaning; To smash and tear. The creator is unknown. Of Chinese origin. |
|
|
|
|
Sanchin |
Meaning; Three battles. The creator is unknown. A very old kata of Chinese origin. |
|
|
|
|
Sanseiru |
Meaning; 36 Hands. The creator is unknown. Of Chinese origin. |
|
|
|
|
Seipai |
Meaning; 18 Hands. The creator is unknown. Of Chinese origin. |
|
|
|
|
Seisan
|
Meaning; 13 Hands. The
creator is unknown. Of Chinese
origin. Also known as; Seishan and
Hangetsu (Half moon kata). |
|
|
|
|
Seiunchin |
Meaning; Attack, conquer and suppress. The creator is
unknown. Of Chinese, Hsing I
origin. There are no kick in this
kata. |
|
|
|
|
Shi So Chin |
Meaning; Four direction battle. The creator is unknown. Of Chinese origin. |
|
|
|
|
Sochin |
Meaning; Strongly rooted.
Created by Yoshitaka Funakoshi in the 1930’s. Also known as Hakko. |
|
|
|
|
Suparinpei |
Meaning; 108 Hands. The creator is unknown. Of Chinese origin. Also known as Pechurin |
|
|
|
|
Taikyoku |
Meaning; Basic form or first cause. Created by Gichin Funakoshi in 1920. There are 3 kata in this name group. |
|
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|
|
Tensho |
Meaning; Rotating hands. Created by Chojun Miyagi. Possibly
derived from the kata Rokkishu of Chinese origin. |
|
|
|
|
Useshi |
Meaning; 54 steps. The
creator is unknown. Possiblly of
Chinese origin. Also known as
Gojushiho and Hotaku. |
|
|
|
|
Unsu |
Meaning; Cloud hands.
The creator is unknown. It is
thought to have been taught to Bushi Matsumura by a shipwrecked Chinese
sailor. Also known as Unshu |
|
|
|
|
Wankan |
Meaning; King’s crown. The creator and origin are unknown. Also known as Okan |
|
|
|
|
Wanshu |
Meaning; Flying Swallow.
The origins of this kata can be traced to the Chinese envoy Wang Ji
who visited Okinawa in 1683. Also
known as Wansu, Enpi and Empi |
|
|
|
|
kata |
Shoulder |
|
|
|
|
kata gatame |
Single
shoulder hold down, similar to Kesa-Gatame; also refers to a choke from this
position. |
|
|
|
|
kata guruma |
Shoulder wheel.
throw. |
|
|
|
|
kata-ha-jime |
Single wing
strangle. |
|
|
|
|
kata-juji-jime |
Half cross
strangle; one palm up, four fingers grip, one palm down, thumb grip. |
|
|
|
|
katakana |
A Japanese
writing system. |
|
|
|
|
katame-waza |
Grappling
techniques. |
|
|
|
|
katsu |
System of
resuscitation |
|
|
|
|
keage |
Snap (kick). |
|
|
|
|
keiko te |
Chicken beak
hand |
|
|
|
|
keiko uke |
Chicken head
wrist block. |
|
|
|
|
kekomi |
Thrust
(kick). |
|
|
|
|
kempo |
Fist Law. A
generic term to describe fighting systems that uses the fist. In this regard,
karate is also Kempo. See Kenpo. |
|
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|
|
ken |
Fist. |
|
|
|
|
ken |
Sword.
(tsurugi) |
|
|
|
|
kendo |
The way of
the sword, a Japanese martial art. |
|
|
|
|
kendoka |
Kendo
practitioner, fencer. |
|
|
|
|
kenpo |
Fist Law. A
modern term describing one of the more innovative Martial Arts practiced in
Hawaii and the Americas, developed by Ed Parker. See Kempo. |
|
|
|
|
kensei |
The technique
with silent kiai. Related to meditation. |
|
|
|
|
keri |
Kick. (-geri) |
|
|
|
|
keri waza |
Kicking
techniques |
|
|
|
|
kesa |
Scarf. |
|
|
|
|
kesa geri |
Diagonal kick |
|
|
|
|
kesa-gatame |
Scarf-hold
position, collar hold down, headlock position. |
|
|
|
|
ki |
Spirit or inner
strength Ideally, the mental and spiritual power summoned through
concentration and breathing that can be applied to accomplish physical
feats. See Chi. |
|
|
|
|
kiai |
Yell or
shout, sprit yell. |
|
|
|
|
kiba dachi |
Staddle Stance
or Horse Stance. Also known as
naifanchi or naihanchi dachi. |
|
|
|
|
kihon |
Basics or
fundamentals |
|
|
|
|
kihon kumite |
Basic sparring |
|
|
|
|
kihon waza |
Basic or
fundamental techniques |
|
|
|
|
kime |
Focus of power. |
|
|
|
|
kimono |
A T-shaped,
straight-lined robe. |
|
|
|
|
kiostuke |
Attention
(command) |
|
|
|
|
kizami tsuki |
Jab, (kizami
zuki) |
|
|
|
|
ko |
Small, little,
tiny. |
|
|
|
|
koko uchi |
Tiger mouth
hand strike |
|
|
|
|
ko soto gari |
Minor outside
reaping throw |
|
|
|
|
ko uchi gari |
Minor inside
reaping throw |
|
|
|
|
kobudo |
Weapons way. A
generic term coined in the 20th century, which can be used to describe
collectively all Okinawan combatives. However, it is more accurate to specify
"Okinawan Kobudo" in order to distinguish them from "Japanese
Kobudo. |
|
|
|
|
kohai |
A student
junior to oneself. |
|
|
|
|
kokutsu dachi |
A stance which
has most of the weight to the back. "Back Stance". |
|
|
|
|
komi |
Crowd into,
go into. |
|
|
|
|
konbonwa |
Good evening |
|
|
|
|
konnichiwa |
Good
afternoon, hello |
|
|
|
|
korewa |
Here |
|
|
|
|
kosa dachi |
Crossed leg
stance |
|
|
|
|
koshi |
Hip (s)
(-goshi) |
|
|
|
|
koshi-guruma |
Hip wheel
throw. |
|
|
|
|
koshi-nage |
Hip throw. |
|
|
|
|
koshi-waza |
Hip throw
techniques |
|
|
|
|
ko-soto-gake |
Foot hook. |
|
|
|
|
ko-soto-gari |
Small outside
reap. |
|
|
|
|
ko-tsuri-goshi |
From Judo, a
form of hip throw. |
|
|
|
|
ko-uchi-gari |
From Judo,
minor inner reaping. |
|
|
|
|
ku |
Significant
concept of nothingness, void. |
|
|
|
|
ku |
Nine, 9 |
|
|
|
|
kudan |
Ninth degree
black belt. |
|
|
|
|
kukyu |
Ninth level
student level. Beginner. |
|
|
|
|
kubi |
Neck |
|
|
|
|
kubi nage |
Neck throw |
|
|
|
|
kubi-shime |
A choke hold. |
|
|
|
|
kumade |
Bear paw hand |
|
|
|
|
kumite |
Sparring,
fighting; a formalized match or sparring session that takes place in the dojo
or at a tournament, as opposed to a street fight. |
|
|
|
|
kung fu |
A generic
term for a majority of the Chinese Martial Arts. Kung Fu has two major
divisions. The southern styles display a clear preference for techniques of
strength and power, whereas the northern styles employ soft, open movement. |
|
|
|
|
kuzushi |
Off-balancing;
breaking opponent's posture. |
|
|
|
|
kuzushi waza |
Techniques
that break an opponent's balance before executing the throw. |
|
|
|
|
kyokushinkai |
Karate style
founded by Oyama Masutatsu. |
|
|
|
|
kyoshi |
A Japanese
Martial Arts teacher who is sixth- or seventh-degree black belt rank. |
|
|
|
|
kyoto |
Old capital of
Japan |
|
|
|
|
kyu |
A rank
designation signifying a level of achievement below black belt or Dan rank in
the Martial Arts. |
|
|
|
|
kyu |
Bow, curved,
arched. |
|
|
|
|
kyudo |
Way of the
bow. The modern practice of archery as a discipline of coordinated
integration. Kyudo's basis is the clarity of execution, the poise, and the
control over the bow. |
|
|
|
|
kyusho |
Vitals, tender
spot, pressure point |
|
|
|
|
kyusho waza |
Pressure
Point techniques. |
|
|
|
|
kyusho-jutsu |
Use of pressure
points. |
|
m
|
|
|
ma |
Interval,
space, place, between, during. |
|
|
|
|
ma-ai |
Combat
engagement distance. |
|
|
|
|
mae |
Denoting the
front, forward, frontal direction. |
|
|
|
|
mae ashi geri |
Front leg
kick |
|
|
|
|
mae empi uchi |
Forward elbow
strike. (mae hiji ate) |
|
|
|
|
mae geri |
Front
kick. A kick to the front. |
|
|
|
|
mae tobi geri |
Jumping front
kick |
|
|
|
|
mae tsuki |
Front
punch. Punch to front, (mae zuki) |
|
|
|
|
mae ude |
Forearm |
|
|
|
|
mae uke |
Front
block. Block to front. |
|
|
|
|
makiwara |
Literally: Wrapping around. Striking board often
wrapped with cloth or rope used in traditional karate for toughening the
knuckles and hardening punches. |
|
|
|
|
manabu |
Learning by
imitating. A method of studying movement and techniques by following and
imitating the instructor. To study
indepth. |
|
|
|
|
manako |
Eye |
|
|
|
|
mata |
Groin |
|
|
|
|
matte |
Stop, halt,
cease action. |
|
|
|
|
mawaru |
to turn, to revolve, to spin |
|
|
|
|
mawashi |
Circle around,
curving. |
|
|
|
|
mawashi geri |
Round kick;
roundhouse kick. |
|
|
|
|
mawashi hiji
ate |
Circular elbow
Strike. Also referred to as mawashi empi uchi. |
|
|
|
|
mawashi tsuki |
Round
punch (mawashi zuke) |
|
|
|
|
mawashi uke |
Round
block. Technique of using both hands
in a circular motion to block and attack. |
|
|
|
|
mawatte |
Turn around. |
|
|
|
|
men |
The face. |
|
|
|
|
meijin |
Expert. One
who has mastered an art far beyond the boundaries of physical prowess. |
|
|
|
|
migi |
Right |
|
|
|
|
mikazuki geri |
Cresent kick |
|
|
|
|
mimi |
Ear |
|
|
|
|
mokuso |
Quiet
thought. A quiet form of meditation. |
|
|
|
|
momo |
Thigh |
|
|
|
|
morote tsuki |
Double fist
punch, (morote zuke) |
|
|
|
|
morote uke |
Augmented
forearm block |
|
|
|
|
morote-seoi-nage |
Two arms
shoulder throw. |
|
|
|
|
mu |
Nothing. The
Zen nothingness or emptiness. This principle is often used in the Japanese
Martial Arts to make one clear in the mind of all thought so the body will
respond instantly to any situation. |
|
|
|
|
mudansha |
A martial
arts student who has not yet attained the rank of black belt. |
|
|
|
|
mune |
Chest |
|
|
|
|
mushin |
No-mindedness.
Bushido ideal, concept of perfect, thoughtless action, spontaneous and devoid
of hesitation or preconception. |
|
|
|
|
musubi dachi |
Open feet
attention stance, heel together. |
|
n
|
|
|
nagashi uke |
Sweeping block. |
|
|
|
|
nage |
Throw, cast,
fling, pitch. |
|
|
|
|
nage waza |
Throwing
techniques |
|
|
|
|
naihanchi
dachi |
Straddle
stance or horse stance. See kiba
dachi (naifanchi dachi). |
|
|
|
|
nakadaka ippon
ken |
Middle finger
one knuckle fist |
|
|
|
|
nami-juji-jime |
Normal cross
strangle. |
|
|
|
|
nana |
Seven, 7. See shichi. |
|
|
|
|
nana-dan |
Seventh
degree black belt. |
|
|
|
|
naname |
Slanting,
sloping, inclined. |
|
|
|
|
narande |
A command to
line up. |
|
|
|
|
negashi uke |
Sweeping block |
|
|
|
|
nekoashi
dachi |
Cat stance |
|
|
|
|
ni |
Two, 2 |
|
|
|
|
nidan |
Second degree
black belt. |
|
|
|
|
nidan geri |
Double kick |
|
|
|
|
nihon tsuki |
Double punch.
(nihon zuke) |
|
|
|
|
nikyu |
Second highest
beginner grade. |
|
|
|
|
ninja |
Agents of
espionage and assassination. |
|
|
|
|
ninjutsu |
The Art
practiced by the Ninja of feudal Japan. |
|
|
|
|
noboru |
To rise, to
ascend |
|
|
|
|
noboru tsuki |
Upper cut
punch, (noboru zuki) |
|
|
|
|
nodo |
Throat. |
|
|
|
|
nukite |
Spearhand |
|
|
|
|
nunchaku |
Flail; a pair
of equal length short sticks, from 8" to more than a foot long,
connected by rope or chain, swung for momentum and power. These are employed
singly or in pairs, and are one of the traditional okinawan kobudo weapons. |
|
o
|
|
|
o |
Big, great,
vast, large, high. |
|
|
|
|
o-soto gari |
Major outside
reaping throw |
|
|
|
|
o-uchi gari |
Major inside
reaping throw |
|
|
|
|
obi |
Belt. |
|
|
|
|
obi-otoshi |
Belt drop. |
|
|
|
|
o-goshi |
Major hip
throw. |
|
|
|
|
o-guruma |
Large wheel
throw |
|
|
|
|
ohayo |
Good morning |
|
|
|
|
ohayo gozaimasu
|
Good morning |
|
|
|
|
oi tsuki |
Stepping or
lunge punch. (oi zuke) |
|
|
|
|
okinawa te |
Karate |
|
|
|
|
okuri ashi
harai |
Sliding (or
gathering) foot sweep |
|
|
|
|
okuri eri jime |
Sliding collar
throw |
|
|
|
|
okuri-ashi |
Advancing
with the front foot first, then rear foot. |
|
|
|
|
okuri-ashi-harai |
Sweeping ankle
throw. |
|
|
|
|
okuri-eri-jime |
Sliding
collar strangle. |
|
|
|
|
onegai shimasu |
I welcome you
to train with me, or literally, I make a request. This is said to one's
partner when initiating practice. |
|
|
|
|
oni ken |
Extended
middle knuckle fist. |
|
|
|
|
osae uke |
Pressing block |
|
|
|
|
osae waza |
Hold down
techniques. |
|
|
|
|
o-sensei |
Revered
teacher. |
|
|
|
|
o-soto-guruma |
Large outer
wheel. |
|
|
|
|
o-soto-otoshi |
Large outer
drop. |
|
|
|
|
otoshi |
Fall, drop. |
|
|
|
|
otoshi empi uke |
Downward elbow
block (otshi hiji ate) |
|
|
|
|
otoshi uke |
Dropping
block |
|
|
|
|
o-tsuri-goshi |
A form of hip
throw. |
|
|
|
|
oyasuminasai |
Good night |
|
|
|
|
oyayubi |
Thumb |
|
|
|
|
oyo waza |
Applications
interpreted from techniques in Kata, implicated according to a given
condition. |
BACK TO INDEX
p
|
|
|
peichin |
An Okinawan feudal title
bestowed upon a Samurai by a lord for distinguished services rendered. |
|
|
|
|
qi |
Energy, see
chi, ki. |
|
r
|
|
|
randori |
Free style
training. |
|
|
|
|
reigi |
Etiquette.
Also referred to as reishiki. Observance of proper etiquette at all times. |
|
|
|
|
reinoji dachi |
A stance with
feet making an L-shape. |
|
|
|
|
ren tsuki |
Alternate
punching |
|
|
|
|
renshi |
A person who
has mastered oneself. This person is
considered an expert instructor. |
|
|
|
|
renshu |
Practice |
|
|
|
|
renzoku |
Continuous,
repeated; continuity, succession. |
|
|
|
|
riken |
Backfist. |
|
|
|
|
ritsurei |
Standing bow |
|
|
|
|
rokudan |
Sixth degree
black belt. |
|
|
|
|
rokyu |
Sixth kyu. |
|
|
|
|
ronin |
Masterless
samurai. |
|
|
|
|
ryu |
School of
thought, approach, method of, with a tradition, masters, adherents |
|
|
|
|
ryuha |
A smaller
division than ryu. |
|
|
|
|
sagi ashi dachi |
One leg stance.
also referred to as gankaku dachi or tsuru ashi dachi. |
|
|
|
|
sai |
Okinawan
weapon. |
|
|
|
|
saika tanden |
The body's
natural center of balance, about 2 inches below the navel. See hara. |
|
|
|
|
samurai |
The swordsmen
of feudal Japan who were trained in a wide variety of martial arts practices. |
|
|
|
|
san |
Three, 3 |
|
|
|
|
sanbon kumite |
Three step
sparring. |
|
|
|
|
sanchin-dachi |
Hour glass
stance. |
|
|
|
|
sandan |
Third degree
black belt |
|
|
|
|
san-kaku |
Triangle. |
|
|
|
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sankaku jime |
Triangle
choke.. |
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san-kyu |
Third kyu. |
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sanren tsuki |
Three
consecutive punches |
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sasae-tsuri-komi-ashi |
Propping ankle
throw. |
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sassuru |
The ability
to recognize a threat or an attack just as it begins; preemptive awareness. |
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seiken |
Forefist, the
punching knuckles of a fist. |
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seiken tsuki |
Forefist
strike, (seiken zuki) |
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seiryuto |
Ox-jaw hand |
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seiryuto uke |
Ox-jaw Block |
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seishin |
Mind, soul, or
spirit. |
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seito |
Pupil or
student. |
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seiza |
A proper
sitting position. Sitting on one's knees. |
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sempai |
Senior.
Usually denotes any senior by age, rank, position or social standing, but
also pertaining to martial arts, one who has more experience and higher rank. |
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sen |
Thousand, 1000. |
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sensei |
Teacher,
instructor, mentor. sen = before, sei = born. |
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senshin |
Undivided
attention, concentration. |
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seoi-nage |
Shoulder
throw. |
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seoi-otoshi |
Shoulder drop. |
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setsuzoku |
Connect,
fluidity and continuity. |
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shaolin |
Young forest or
small forest. A method of Kung Fu based on eight postures and five animal
forms dragon, snake, tiger, crane and leopard. |
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shi |
Four, 4.
(yon) |
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shiai |
A competitive
match between martial artists. |
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shichi |
Seven, 7.
(nana) |
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shihan |
A formal title
meaning, approximately, "master instructor." A teacher of teachers. |
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shikko |
Knee walking.
A method of moving forward while keeping one knee constantly on the ground.
Knee walking was originally a polite way of moving in a house, especially
before a lord. |
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shiko dachi |
Square stance |
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shime |
To strangle,
constrict, wring. (-jime) |
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shime-waza |
Strangulation
techniques, chokes. |
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shinai |
A training
sword made of three specially cut slats of bamboo, tied together at the
handle, middle and tip, often with a small wooden or plastic hand guard,
denoting the end of the blade and the beginning of the handle. This is a tool
used in kendo for arm |
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shintai |
Body movement |
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shintai uke |
Body defense |
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shita |
Under, below,
beneath. (ge) |
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shita-hara |
From below. |
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shizentai |
Natural
position. An encompassing term for numerous Karate stances in which the body
remains relaxed but alert. |
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shodan |
First degree
black belt. |
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shomen |
Front or
forward. Often refers to the front wall of a Dojo. |
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shoshin |
Beginner's
mind. |
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shoshinsha |
Novice or
beginner. |
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shotei |
Palm heel. |
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shotei uchi |
Palm heel
strike |
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shotei uke |
Palm heel
block |
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shuto |
Knife hand. |
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shuto uchi |
Knife hand
strike |
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shuto uke |
Knife hand
block |
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sochin dachi |
Diagonal
straddle-leg stance |
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sokuto |
The knife-edge
of the foot. |
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sokuto keage
geri |
Snap kick with
edge of foot |
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soto |
Outside.
Denotes an outside to inside technique.\ |
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soto tenkan |
Spinning to
the outside. |
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soto uchi |
Strike from
outside inward. |
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soto uke |
Block from
outside inward |
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soyonara |
Goodbye |
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suki |
Crack, split,
opening for an attack. |
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sukui uke |
Scooping block. |
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sukui-nage |
Scoop throw. |
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sumimasen |
Excuse me. |
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sumi-otoshi |
Corner drop,
a throwing technique. |
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sumo |
A basic
Japanese form of grappling in which the participants are of gigantic proportions.
Victory is either achieved by forcing the opponent out of the ring, or by
forcing him to touch the floor within the ring with any part of his body
above the knee. |
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sune uke |
Shin block. |
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sutemi |
Sacrifice, concept
of abandoning concern for the body, letting go. |
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sutemi-waza |
Sacrifice
techniques. |
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tachi |
Standing,
stance. (-dachi) |
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tachi-waza |
Standing
techniques. |
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tai |
Body. (karada) |
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tai chi chuan |
Grand
ultimate fist. An internal system of Kung Fu, also called soft boxing,
characterized by its deliberately slow, continuous, circular, well-balanced
and rhythmic movements. |
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tai sabaki |
Body movement/shifting/pivoting |
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tai subaki no
kihon |
Basics of
Body Movement |
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tai-atari |
Hit with the
body, body contact. |
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tai-otoshi |
Body drop
throw. |
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tan tien |
Chinese, The psychic
center located just below the naval, which protects the center of gravity and
produces a reservoir of force upon which to draw. Also known as Tanden. See Hara |
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tanden |
Area below
the navel and the center of ki |
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tani-otoshi |
Valley drop
throw |
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tatami |
Straw mat. A
mat usually measuring three by six feet and three inches thick (with bound
straw inside.) |
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tate |
Vertical |
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tate empi
uchi |
Vertical
elbow strike |
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tate shuto uke |
Vertical knife
hand block |
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tate tsuki |
Vertical fist
punch (tate zuke) |
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te |
Hand. |
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te osae uke |
Hand pressing
block. |
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tegumi |
A form of
Okinawan wrestling. |
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tettsui uchi |
Hammer
strike, also called kentsui. |
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tekubi |
Wrist |
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te-waza |
Hand
techniques |
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tobi geri |
Jumping kick |
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tobi yoko
geri |
Jumping side
kick |
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tomoe |
Comma shape |
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tomoe-nage |
Circle throw.
A sacrificial throw involving throwing one's opponent over oneself moving
from standing to a prone position. |
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tora te |
Tiger claw hand |
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tonfa |
Handle. An
old Okinawan farming tool developed as a weapon by Okinawan farmers. |
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tori |
Defender |
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tsuki |
Punch,
(zuki). |
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tsuki waza |
Punching
techniques |
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tsuri-goshi |
Lifting hip
throw. |
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tsuru ashi
dachi |
Crane stance,
also referred to as gankaku dachi and sagi ashi dachi. |
BACK TO INDEX
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uchi |
Strike. |
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uchi |
Inside. |
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uchi deshi |
A live-in
student. A student who lives in a dojo and devotes him/herself both to training
and to the maintenance of the dojo (and sometimes to personal service to the
sensei of the dojo). |
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uchi tenkan |
Spinning to
the inside. |
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uchi uke |
Block from
inside to outward |
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uchi waza |
Striking
techniques |
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uchi-komi |
Training of
entry movement. |
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uchi-mata |
Inner thigh
sweep. |
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ude |
Arm. |
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ude uke |
Forearm block |
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ude-gatame |
Straight
armlock. |
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ude-kansetsu-waza |
Arm locking
techniques. |
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ude-kime-nage |
Arm bar throw. |
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uechi ryu |
An Okinawan
style of Karate founded by Kanbum Uechi. It is characterized by linear
patterns and forceful breathing. |
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uke |
Receiver of the
technique (attacker). |
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uke |
Block |
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ukemi |
Breakfalls,
falling techniques, methods of falling rolling and landing safely often
taught in grappling-based Martial Arts. |
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ukemi waza |
Breakfall
techniques. |
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uke-nagashi |
Flowing
reception, sliding block. |
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uki |
To float,
drift, waft. |
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uki-goshi |
Floating hip
throw. |
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ura tsuki |
An upper cut
punch used at close range. (ura zuki) |
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uraken |
Backfist. |
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uraken uchi |
Back fist
strike |
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ushiro |
Back, rear, rearward,
from behind. |
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ushiro empi
uchi |
Rear elbow
strike |
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ushiro geri |
Back kick. |
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ushiro-goshi |
Rear hip
throw. |
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uwagi |
Uniform jacket |
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waza |
Technique. |
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yama tsuki |
Mountain Punch.
A wide U-shaped dual punch, (yama zuki) |
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yari |
Straight-headed
spear. (sojutsu) |
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yasumi |
"Rest."
A term used by the instructor to have the students relax, normally following
a long series of drills. |
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yawara |
Palm stick,
used in self defense; also the technique of giving way used in Bushido. |
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yoi |
Ready |
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yoko |
Side |
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yoko geri |
Side kick |
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yoko uchi |
Side strike |
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yoko-guruma |
Side wheel
throw |
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yoko-okuri-eri-jime |
Side sliding
collar strangle. |
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yoko-shiho-gatame |
Side four
quarter hold down; cross body position. |
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yoko-sutemi-waza |
Sideways
sacrifice throws. |
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yon |
Four, 4. (shi) |
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yondan |
Fourth degree
black belt. |
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yonkyu |
Fourth kyu |
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yubi |
Finger |
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yudansha |
Black belt
holder (any rank). |
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yuka |
To duck or bow. |
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yukkuri
onegaishimasu |
Slowly please |
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yurui |
Slack, slow,
leisurely. |
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za |
Seat, base,
sitting. |
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zarei |
The traditional
Japanese bow from the kneeling position. |
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zazen |
Sitting
meditation. |
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zen |
A buddhist
sect. |
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zenkutsu dachi |
Forward (front)
stance. |
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zori |
Japanese
slippers. |
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Zuki |
Punch, see tsuki |